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Spectrum Artists: Curated by: Artist Contact: Dates: Location: About the Artists: Serge Armando In 1989, Armando accepted a position at Laguna Art Museum as Exhibition Designer. His first assignment, "Turning the Tide," an exhibition of early Los Angeles Modernists, introduced him to the spiritually-charged abstract works of Peter Krasnow and the hard-edged geometric works of John McLaughlin. Artist and scholar Michael McManus said this of Armando, "Frontal, blunt, and totemic, [Armando’s] works confront viewers as primal plus-minus icons, but are also perceptually elusive in how they activate the viewer’s peripheral vision. Their workman-like massing of precise, flat, polychromatic acrylic, creates an arresting abstract yet pictorial arena. Like many pure abstract artists of the late twentieth century, Armando regards the non-objective as a visual language–still in its infancy–whose potential equals that of representation." In this way, Armando’s works are invitations for viewers to impose upon them their own visual idiolects, complete with their own experiential lexicons which have arisen from the viewers’ own distinct inventories of “heres” and “nows”. Armando’s latest works are, as always, iconic and kinetic. The works document his lifelong immersion in competitive systems of organization. Each work of the series propagates squarely steadfast abstract geometric immediacy. Over his thirty-year residence in Laguna Beach, Armando has played a decisive role in the careers of significant area artists and gallery owners. His works have exhibited in key local galleries and Museums, and have sold to some of Southern California’s most distinguished collectors of contemporary art. His recent, 2005, first place showing at Laguna Art Museum’s twenty-third annual art auction is testimony to his continued impact and import on the local art scene. Paraphrased from an interview/article by Mike Stice, Laguna Beach, 2005 Kristina E. King A version of “Pillow Room” will be installed. Lino Martinez Santiago Erica Steiner Artist's Statement Continually deferring and referring back to the language of nature, I use painting as a vehicle to explore my affinity for ornamentation, using natural elements such as trees, flowers, cells, and alien or marine-like forms. Highly detailed in oil and gold leaf, these elements function as visual building blocks of elaborate, dreamy, yet earth-bound realities, foreign yet viscerally familiar places where the consciousness can dwell and find new perspective. Stylistically, my paintings are influenced by Chinese and Japanese landscape painting, contemporary graphics, textile design and art nouveau. The work also recalls a wide range of contemporary, folk and religious art, including traditional Indian and aboriginal painting, Tibetan Buddhist textiles, and medieval Catholic illuminations. Special Thank you to Hillcrest Development Partners, Pacifica HOA, Wokcano Restaurants, Charles Dunn Company Partners:
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